TOP To better enjoy the performance, please switch off your mobile phone and any other light and beeping devices. Kindly be reminded that captures of sound or images, as well as eating and drinking, are not allowed. Thank you! Duration: Approximately 1 hour a
16.03.2024 Sat 20:00 Grand Auditorium
Songs-Eng
Programme Notes This is a musical journey traversing many different countries: Portugal, Spain, Greece, the southern coast of Italy, and even Turkey. Instead of arranging the programme according to genre, or moving steadily from one country to another, we literally travel Mediterraneo cover 3 Mediterraneos CD cover In tying many of these elements together, one of the vocal genres central to this programme is the Canto greco-salentino, of which the traditional tune Are mou Rindineddha (Little Swallow) is a classic example. Greeks maintained a presence on the Italian Photo2 The Toccata LArpeggiata by Girolamo Kapsberger (c.1580 - 1651) also helps reset our aural compass, showing us how advanced the composer was in the early Baroque period in creating instrumental studies that focus on specific technique, predating J.S. Bach photo 3 The fado Nenhum de Ns (None of us said it), with music by Miguel Amaral (b. 1982) and lyrics by Marco Oliveira (b. 1988), captures the sadness of farewell, with the opening line Of everything we said/we didnt have to say goodbye. To vary the mood, Pi
CHRISTINA PLUHAR
Group 128
Baroque arrives directly in the 21st century with LArpeggiata: fine, cultivated, noble, lusty, spirited, racy! A vital look back to the future.
br-klassik
Christina Pluhar is an Austrian conductor, lutenist, harpist, arranger and composer renowned for her innovative contributions to the world of early music performance. With the founding of her ensemble LArpeggiata in 2000, which gained rapid internationa
Group 129 LARPEGGIATA Founded in 2000, LArpeggiata is an outstanding ensemble directed by Christina Pluhar, with musicians comprising some of todays top instrumental soloists in the early music world. Under Pluhars leadership, the ensemble continues strong collaborations wit Mask Group 3
people-Eng 0305_Fado_
34thFAMhpAD
Group 141 Mobile-top Group 140 To better enjoy the performance, please switch off your mobile phone and any other light and beeping devices. Kindly be reminded that captures of sound or images, as well as eating and drinking, are not allowed. Thank you! Duration: Approximately 1 hour a 16.03.2024 Sat 20:00 Grand Auditorium Songs-Eng_M
Programme Notes This is a musical journey traversing many different countries: Portugal, Spain, Greece, the southern coast of Italy, and even Turkey. Instead of arranging the programme according to genre, or moving steadily from one country to another, we literally travel Mediterraneo cover 3 Mediterraneos CD cover In tying many of these elements together, one of the vocal genres central to this programme is the Canto greco-salentino, of which the traditional tune Are mou Rindineddha (Little Swallow) is a classic example. Greeks maintained a presence on the Italian Photo2 The Toccata LArpeggiata by Girolamo Kapsberger (c.1580 - 1651) also helps reset our aural compass, showing us how advanced the composer was in the early Baroque period in creating instrumental studies that focus on specific technique, predating J.S. Bach photo 3 The fado Nenhum de Ns (None of us said it), with music by Miguel Amaral (b. 1982) and lyrics by Marco Oliveira (b. 1988), captures the sadness of farewell, with the opening line Of everything we said/we didnt have to say goodbye. To vary the mood, Pi
Group 142 CHRISTINA PLUHAR Christina Pluhar is an Austrian conductor, lutenist, harpist, arranger and composer renowned for her innovative contributions to the world of early music performance. With the founding of her ensemble LArpeggiata in 2000, which gained rapid internationa Group 144 Baroque arrives directly in the 21st century with LArpeggiata: fine, cultivated, noble, lusty, spirited, racy! A vital look back to the future.
br-klassik
Group 143 LARPEGGIATA Founded in 2000, LArpeggiata is an outstanding ensemble directed by Christina Pluhar, with musicians comprising some of todays top instrumental soloists in the early music world. Under Pluhars leadership, the ensemble continues strong collaborations wit Mask Group 6
people-Eng_M
0305_Fado_ 34thFAMhpAD